Magnolia is not boring, precisely. It’s a warm neutral colour that is effective alongside a diverse number of other colours. It’s inoffensive, a not unpleasant humming background noise, a nondescript base. No surprise it can make me nervous…
You will find some individuals who truly do not give consideration to their environment. Exactly why would they? What does what the house or the office is like need to do with anything? Choosing curtains, color colours and furniture isn’t everyone’s cup of tea, granted, though many people would rarely notice whether the entire house were painted blue over nighttime. For me personally, I am glad to be using the opposite camp, when a room can feel right (or maybe strangely awkward) and click here; urbanmatter.com, details do indeed make all of the difference.
Of course, interior design functions on levels which are many – the functional, the visual as well as the psychological. Our surroundings affect us. What influence does colour, in particular, have on our moods and the wellbeing of ours?
Hospitals, schools and business corporations use colour and design to assist with the healing of the patients of theirs (blue lowers blood pressure), to improve the learning potential of their students (green calms the mind) and then to take the output of the workers of theirs (harsh lighting & vivid colours will keep them out of the canteen). And so why do we not apply this thinking to our homes? Do not we want the home of ours to truly make us more relaxed, or livelier or even maybe much healthier?
Do specific colours suit particular personalities? Can it be real for example that one personality type will have a yearning for yellow and another a deep love of lilac? Investigation to date does not indicate this to be the truth. It appears we are far more fickle than that. On the entire, nearly all of us have a colour we pretty much despise (orange as well as purple rank highly on this score) but otherwise we merely dabble with a favourite colour for some time, safe in the data that we can drop it just like a hot potato if it gets tragically unfashionable.
Colours (certainly a splash of paint, anyway) can be simple to play with, to dabble with. So why could it be that we are afraid of them? Where is our inner child when we want them most? Why is it that we resolve to exist in safe beige and cream houses when in other countries there’s such an abundance of colour? Could it be truly to do with sunshine? Seriously? Can only the Caribbean as well as the subcontinent savor wild vibrant colour? Have we talked ourselves into believing that we have to mirror what is going on with the weather condition? For the reason that it hasn’t always been the case.
History shows us just how our ancestors were a lot braver with the choice of theirs of colours. In the 1950s, extremely attractive yellow alongside contrasting dark, muted terracotta, sage like green and pale primrose yellow looked fantastic. In the 1920s the Art Deco movement found inspiration in primitive art and the resulting selection of colors – orange tinged pinks and grey greens – were spell binding. Earlier still, in the last 100 years, interiors happened to be filled with the boldest colours – signal red plus great blue – and these became great backdrops to art collections that can still be seen in a number of English heritage houses. But would you dare?
Many incorrectly believe that period colours were all sludgy and dirty, as if someone had taken a coal-covered cloth to the paintwork, but this’s far from accurate. Period colours include peppermint greens, sienna, ochre, ultramarine blues, peach blossom and salmon. Would we be adventurous adequate to place any of these on the wall space or even would we take refuge behind an experimentally colourful but equally easily removable scatter cushion?
